- Sinatra’s wonderful 1963 release finally returns with STUNNING Shootout Winning Triple Plus (A+++) sound throughout
- Forget the reissues – the stereo original we are offering here is the only way to go if rich, tubey, dynamic, musical sound is what you are after
- Frank rerecorded some of his biggest hits in stereo for this album – the record is just one Sinatra Classic after another
- “Some of his biggest hits and most famous songs are included in his picks, including “I’ve Got You Under My Skin” and “Young at Heart.””
- Amazon 5 Stars: “Riddle’s arrangements are, as always, top-notch, and Sinatra is in fine, engaging form.”
Great bass and weight coupled with lots of space and correct tonality in the midrange add up to only one thing: Triple Plus or close to it sound on both sides!
Copies with rich lower mids and nice extension up top (to keep the strings from becoming shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we heard them all.
We know a fair bit about the man’s recordings at this point. As of today we’ve done commentaries for more than 21 different Sinatra shootouts, and that’s not even counting the ten or twenty other titles that either bombed or were sold off years ago.
This vintage Reprise stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real Sinatra singing live in your listening room. The better copies have an uncanny way of doing just that.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played over the years can serve as a guide.
What the Best Sides of Sinatra’s Sinatra Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1963
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Sinatra’s Sinatra
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
I’ve Got You Under My Skin
In The Wee Small Hours Of The Morning
The Second Time Around
Young At Heart
All The Way
How Little It Matters How Little We Know
Pocketful Of Miracles
Oh! What It Seemed To Be
Call Me Irresponsible
Put Your Dreams Away
In the early ’60s, Columbia and Capitol were issuing collections of Frank Sinatra’s biggest hits, which tended to sell quite well. Sinatra’s Sinatra was the singer’s attempt to get a piece of that action for his new record label, Reprise. Arranged and conducted by Nelson Riddle, the album is a collection of re-recorded versions of 12 of his favorite songs, including two new charts (“Nancy [With the Laughing Face]” and “Oh! What It Seemed to Be”). Some of his biggest hits and most famous songs are included in his picks, including “I’ve Got You Under My Skin” and “Young at Heart”.