Crosby, Stills & Nash on Nautilus – The Most Bloated, Ill-Defined, Overblown Bass in the Sad, Sordid History of Half-Speed Mastering

More Crosby, Stills and Nash

More CrosbyMore Stills / More Nash / More Young

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Sonic Grade: F

Hall of Shame pressing and a Half-Speed Mastered Disaster if there ever was one.

An audiophile record dealer (of course; who else?) once raved to me about Crosby Stills and Nash on Nautilus. I said “What are you talking about? That version sucks!” He replied “No, it’s great. Helplessly Hoping sounds amazing.” 

Now one thing I know about the Nautilus is that although it is wonderfully transparent in the midrange, it may very well take the cake for the most bloated, out of control bass in the history of Half Speed mastering. What song on that album has almost no bass, just lovely voices in the midrange? You guessed it. Helplessly Hoping.

The Nautilus got one track right, and ruined the rest. Using that track for comparison will fool you, and when it comes time to play a side of the album, you will quickly hear what a disaster it is.

Or maybe you won’t. Who else harps on bad Half-Speed Mastered bass outside of those of us who write for this blog? I don’t recall ever reading a word about it. This does not reflect well on the bass response of the modern audiophile stereo.


Some Relevant Commentaries

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Another Classic Album Ruined

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Why Is This Album So Compressed?

Why Is This Album So Spitty?

This Beatles’ Albums Are Consistently Spittier on Mobile Fidelity – Why Is That?

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