Sonic Grade: F
The 2003 Rhino reissue on heavy vinyl of Workingman’s Dead is absolutely awful. It sounds like a bad cassette. The CD of the album that I own is superb, which means that the tapes are not the problem, bad mastering and pressing are.
Rhino Records has really made a mockery of the analog medium. Rhino bills their releases as pressed on “180 gram High Performance Vinyl”. However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.
The CD versions of most of the LP titles they released early on are far better sounding than the lifeless, flat, pinched, so-called audiophile pressings they did starting around 2000. The mastering engineer for this garbage actually has the nerve to feature his name in the ads for the records. He should be run out of town, not promoted as a keeper of the faith and defender of the virtues of “vinyl”. If this is what vinyl sounds like I’d switch to CD myself.
And the amazing thing is, as bad as these records are, there are people who like them! I’ve read postings on the internet from people who say the sound on these records is just fine. It’s sad.
Their Grateful Dead titles sound worse than the cheapest Super Saver reissue copies I have ever heard. The Yes Album sounds like a cheap cassette, a ghost of the real thing.
More Heavy Vinyl Reviews
Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.
There are many kinds of audiophile pressings — Half-Speeds, Direct-to-Discs, Heavy Vinyl Remasters, Japanese Pressings, the list of records offered to the audiophile with supposedly superior sound quality is endless. Having been in the audiophile record biz for more than thirty years, it has been our misfortune to have played them by the hundreds,
In order to help you avoid the worst of the worst, we put a great many of them in a section of their own, which we call:
How did we find so many bad sounding records? The same way we find so many good sounding ones. We included them in our shootouts, comparing them head to head with our best Hot Stamper Pressings..
When you can hear them that way, up against an actual good record, their flaws become that much more obvious and, frankly, that much more inexcusable.