- You’ll find outstanding Double Plus (A++) sound from first note to last on this copy of Joel’s ninth studio album
- Dynamic and open, with driving rhythmic energy – this early pressing brings this great batch of songs to life
- Jam packed with hits: An Innocent Man, The Longest Time, Tell Her About It, Uptown Girl, Leave a Tender Moment Alone, and more – seven singles in all
- 4 stars: “[H]e’s effortlessly spinning out infectious, memorable melodies in a variety of styles, from the Four Seasons send-up “Uptown Girl” and the soulful “Tell Her About It” to a pair of doo wop tributes, “The Longest Time” and “Careless Talk.” Joel has rarely sounded so carefree either in performance or writing, possibly due to “Christie Lee” Brinkley, a supermodel who became his new love prior to An Innocent Man.”
Both of these sides have the huge soundstage and startling clarity and immediacy that characterizes this album, but they also add an ingredient missing from most we heard — a full, rich, musical midrange!
On many pressings, the vocals can get hard and harsh on the uptempo tracks (“Uptown Girl” is a notable offender, and never sounds quite as good as the rest of the album), but this copy manages to fix that problem (mostly) without sacrificing transparency or top end.
This was a monster in its day, generating a Number One hit and seven total single releases out of the ten songs that comprise it. Seven out of ten, not a bad track record. We couldn’t find a weak song on the album either, which is surely one of the reasons it sold seven million copies in the states alone.
What the Best Sides of An Innocent Man Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1983
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on An Innocent Man
This copy has the kind of sound we look for in a top quality Billy Joel record. A few qualities to listen for:
- Immediacy in the vocals (so many copies are veiled and distant);
- Natural tonal balance (most copies are at least slightly brighter or darker than ideal; ones with the right balance are the exception, not the rule);
- Good solid weight (so the bass sounds full and powerful);
- Spaciousness (the best copies have wonderful studio ambience and space);
- And last but not least, transparency, the quality of being able to see into the studio, where there is plenty of musical information to be revealed in this simple but sophisticated recording.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
An Innocent Man
The Longest Time
Tell Her About It
Leave a Tender Moment Alone
Keeping the Faith
… he’s effortlessly spinning out infectious, memorable melodies in a variety of styles, from the Four Seasons send-up “Uptown Girl” and the soulful “Tell Her About It” to a pair of doo wop tributes, “The Longest Time” and “Careless Talk.” Joel has rarely sounded so carefree either in performance or writing, possibly due to “Christie Lee” Brinkley, a supermodel who became his new love prior to An Innocent Man.
He can’t stop writing about her throughout the album — only three songs, including the haunted title track, aren’t about her in some form or fashion. That giddiness is infectious, helping make An Innocent Man an innocent delight that unwittingly closes Joel’s classic period.
An Innocent Man
In an interview about the making of the album, Joel talks about the fact that at the time that he was recording An Innocent Man, he was newly divorced from his first wife, Elizabeth Weber, and was single for the first time since achieving rock star status.
So he had the opportunity to date supermodels like Elle Macpherson and Christie Brinkley, and because of these experiences, he said, “I kind of felt like a teenager all over again.”And so he started writing songs in the same style as pop songs that he remembered from his teenage years, citing pop music from the late 1950s and early 1960s, including “early R&B songs and The Four Seasons, and the Motown music, soul music.”
Joel explained, “When you’re gonna write [songs for a new album], you write what you’re feeling. And I didn’t fight it. The material was coming so easily and so quickly, and I was having so much fun doing it. I was kind of reliving my youth. . .I think within 6 weeks I had written most of the material on the album.”
The album featured three Billboard Top 10 hit singles: “Tell Her About It”, which reached #1, “Uptown Girl”, which peaked at #3 and “An Innocent Man”, which peaked at #10.
Four other singles were released from the album: “The Longest Time” (number 14), “Leave a Tender Moment Alone” (number 27), “Keeping the Faith” (number 18) and “This Night” (US B-Side of “Leave a Tender Moment Alone”).
An Innocent Man remained on the U.S. Pop album chart for 111 weeks, becoming Joel’s longest charting studio album behind The Stranger.