Elvis Costello / Trust – A Desert Island Disc on the Right Import Pressing

TRUST is one of my favorite Elvis Costello albums, along with the first album, My Aim Is True, which is every bit as good. Armed Forces is up there too. I wouldn’t want to be without all three on my desert island.

I remember loving the sound of my old Brit copy from twenty years back, even to the point of agreeing with Michael Fremer when he put it on his top 40 rock album list (a perfect illustration of the stopped-clock syndrome). Now I know better: that most of them leave a lot to be desired, especially down low.

Did I have good one? Does he? Who can say? Everything is different, and revisiting old sonic favorites can sometimes be a bit of a shock. (Of course this is especially true for all the old MoFis I used to like. Now most of them make me wonder just how clueless I used to be. The short answer: very clueless.)

Elvis: Still The King

By the way, we played a domestic copy of this album, just for fun you might say, and sure enough, it was a real mess. Boosted highs, poor bass definition and copious amounts of grit and grain — ’70s Columbia at their best, what else is new? The first album and Spike (decent, far from the best but enjoyable) are the only Elvis records I know of that sound good on domestic vinyl. Forget the rest.

If you love Elvis Costello as much as we do around here, we suggest you do yourself a favor and trash your domestic LPs — you need a British copy to even get in the ballpark, and that’s far from a guarantee of good sound. Elvis is “Still the King,” but you would never know it without the right pressing.

Reviews and Commentaries for Elvis Costello’s Trust

Leave a Reply