This EMI import LP has TWO SUPERB DEMO DISC QUALITY SIDES! Each received an A+++, making this BY FAR THE BEST SINGLE COPY we have ever heard. This copy set a new standard for the sound of this album; we’ve never heard anything like it!
Both sides boast rich, lively sound, with some of the sweetest vocals we’ve ever heard on ANY Queen album. In a world filled with ridiculously compressed, lifeless sounding pressings, this album blasted out of the speakers that made all other Queen albums sound anemic in comparison. MASTER TAPE SOUND? You better believe it.
You may remember one of the comments we made about the Hot Stamper Bookends in which we said we felt as though we had threaded up the master tape and hit play — that’s how unbelievably correct and REAL the sound was. Well, we spoke too soon. THIS record is the record that sounds like you’ve threaded up the master tape. I’ve been playing this album for more than twenty years and I can tell you I have never heard ANYTHING like it.
Just drop the needle on any song. Guaranteed you will never hear that song sound better. The mastering is beyond perfection. There’s really no “mastering” to listen for — all you’re really aware of is the music flowing from the speakers, freed from all the limitations that you’ve learned to accept.
There’s no need to go track by track trying to explain why this copy is The Ultimate. One drop of the needle will tell you everything you’ll ever need to know. All doubts will be erased within moments. We played this copy against our former top pressings and again and again, no matter what track we played, the sound here was clearly superior.
Side one starts out with Queen’s back-to-back anthemic classics, “We Will Rock You” and “We Are the Champions”. Does it get any better for a Queen fan? Hell no!
Stomps and Claps
The stomps and claps that introduce the former should make you feel like you are in a stadium full of people with a single goal – to rock you. Those stomps and claps need to have both weight and clarity, an unusual combination. One without the other is not going to cut it. The record needs to be able to reproduce the room everybody is in, while still conveying the tremendous impact and power. Most domestic pressings are severely lacking in these areas. The sound is frustrating — you want to rock but the sound won’t let you.
Another quality our best copies excelled in was the sound of Brian May’s guitar during his solo toward the end of the song. Here his tone is very boxy with no real highs or lows, but when that sound is exaggerated by bad mastering, it sounds like there are mattresses sitting in front of his amplifiers. The best copies had extension on the high end, restoring the clarity and complimenting his distinctive technique.
“We Are the Champions” gives you a clear view of the kind of dynamic power of this record. Freddie Mercury’s sensitive intro should be breathy and slightly feeble, allowing his vocal strength to build quietly, illustrating the trials and tribulations he has been through to make him the champion he ultimately becomes.
Also, pay close attention to John Deacon’s bass work underneath Freddie’s singing. The notes he plays should be very distinguishable and have a full, round tone.
When the tension reaches its climax right before the epic chorus begins, Roger Taylor does a huge drum roll that should let you hear what his toms really sound like – serious attack, high-pitched, and roomy.
Side two made possible a major discovery regarding this recording. Through the first two songs on this side, the sound on the whole is very consistent – fairly dark and somewhat compressed (like most Queen records now that I think of it). Then we listened to “It’s Late” with dropped jaws. It’s like a completely different album! It’s got high-end extension that can even be heard on the bad copies! Can you imagine having to be the mastering engineer for this album? The problems seem far too varied and complex to be fixed in the mastering. Then you hear a track like this and realize that the cutting equipment they were using must have been great! The sound is awesome!
No other record in our shootout received an A+++. In our last shootout of this record there were just too many problems with the recording itself, and now those problems seem to have been fixed. We can’t be sure there isn’t a copy out there that tops this one — The Black Swan effect — so top honors are being happily given out now.
Believe us when we say that you have never heard a News Of The World that comes close to our A+++ copy here, or your money back.
To say that this amazing sounding copy is rare is an unbelievable understatement. If this record is as meaningful for you as it is for me, I think you will quickly appreciate that it’s worth every penny of its price. All you have to do is drop the needle. All questions will be answered and all mysteries revealed.
Owning this White Hot Stamper is a PRIVILEGE that affords the listener insight into Queen that simply is not possible any other way. The emotional power of these songs is communicated so completely through this copy that the experience will be like hearing it for the first time.