Elton John / Too Low For Zero – The Last in a Great Run

More of the Music of Elton John

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Much of the production — the smooth, sweet harmony vocals, the rich, grungy guitars, the solid, warm piano — reminds me of Goodbye Yellow Brick Road, one of the classics from back in the day when Gus Dudgeon was running the show.

Caribou (1974) and Captain Fantastic and the Brown Dirt Cowboy (1975) have a similarly glossy, perfectionist approach to production as well of course. It was 1975’s Rock of the Westies that went off in another direction.

The next six albums, from Blue Moves to Jump Up, at least to these ears, don’t sound good enough or have the kind of consistent material that was the hallmark of the six albums recorded from 1970 to 1973. Four of those are in our Top 100 Rock and Pop album list, and all four are Must Owns in my book. Pop music just doesn’t get any better.

So if Too Low For Zero reminds us in any way of those albums, especially in the songwriting department now that Bernie Taupin has rejoined team Elton after a too-long hiatus, that is all to the good.

The Players and Personnel

Davey Johnstone – acoustic guitar, electric guitar, backing vocals
Dee Murray – bass guitar, backing vocals
Nigel Olsson – drums, backing vocals

Bill Price – engineering

Chris Thomas – production

TRACK LISTING

Side One

Cold As Christmas (In The Middle Of The Year) 
I’m Still Standing
Too Low For Zero
Religion
I Guess That’s Why They Call It The Blues

Side Two

Crystal
Kiss The Bride
Whipping Boy
Saint
One More Arrow

AMG 4.5 Star Review

Elton John began inching back into the mainstream with Jump Up, an uneven but strong record highlighted by “Empty Garden.” Its success set the stage for Too Low for Zero, a full-fledged reunion with his best collaborator, Bernie Taupin, and his classic touring band. Happily, this is a reunion that works like gangbusters, capturing everybody at a near-peak of their form.

John hadn’t been this engaging in years, not since Gerald Ford was in office. Why does this work so well? Well, the question isn’t just consistency, since records like A Single Man were strong, but it’s because each cut here showcases John at a peak… While this may not be as rich as his classic early period, it’s a terrific record, an exemplary illustration of what a veteran artist could achieve in the early ’80s.