- Harvest Moon finally makes its Hot Stamper debut here with Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- Full-bodied, big, rich and solid, this album has the kind of analog sound we did not expect to find, but were pleasantly surprised, thank goodness
- Turn this one up good and loud (which you can do when the sound is THIS good) and you’ll have a living, breathing Neil Young standing right between your speakers
- “Harvest Moon manages to be sentimental without being sappy, wistful without being nostalgic… a beautiful album that proudly displays scars, heartaches, and love.”
These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
This vintage Import Reprise pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Harvest Moon Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1992
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Harvest Moon
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
From Hank To Hendrix
You And Me
War Of Man
One Of These Days
Such A Woman
Natural Beauty (Live)
After 20 years, Neil Young finally decided to release the sequel to Harvest, his most commercially successful album. Harvest Moon is in some ways a better album, without the orchestral bombast that stifled some of the songs on the first album and boasting a more diverse overall selection of songs. Harvest Moon manages to be sentimental without being sappy, wistful without being nostalgic. The lovely “Unknown Legend,” “From Hank to Hendrix,” and the beautiful “Harvest Moon” are among Young’s best songs. Only the overlong (11 minutes) and oversimplified “Natural Beauty” hurts a beautiful album that proudly displays scars, heartaches, and love.