- Baja Marimba Band returns with this superb copy of Rides Again, boasting Double Plus (A++) sound on both sides and vinyl that is about as quiet as we can find it
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- If you are familiar with other top recordings released by A&M engineered by Larry Levine, the killer Herb Alpert and Sergio Mendes albums just to mention a few, you know the sound of Rides Again
- Super tubey, with low end weight and performance energy that leave most other records from 1965 in the dust
Larry Levine was the resident engineering genius at A&M Records, the man responsible for many of the best sounding Sergio Mendes albums. What most people don’t realize is how good the best Herb Alpert recordings are, as well as the ones Herb produced, such as the second Baja Marimba Band album here.
The reason is simple: most of the A&M pressings out there only hint at the wonderful recording quality of these albums.
This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What Amazing Sides Such as These Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1965
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Rides Again
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The lead musicians aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt — Larry Levine in this case — would have put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Walk On By
Red Roses For A Blue Lady
Hecho En Mexico
The Woody Woodpecker Song
A Spanish Rose
Goin’ Out The Side Door