TWO AMAZING WHITE HOT SIDES for one of Little Feat’s best-loved albums! This music is tons of fun, but the typical pressing is so flat and lifeless that the music is basically ruined. When you find a copy that’s been properly mastered, like this one, it’s a whole ‘nother story. Richer and fuller, clearer and more transparent, this Green Label will absolutely DESTROY any later pressing!
This album may never be a Demo Disc, but it certainly doesn’t need to sound like a piece of cardboard, and this copy is the proof! As soon as we dropped the needle, there was no doubt in our minds that this was the winner of our shootout. It’s a huge step up in every way.
Most copies of this album sound like cardboard, especially the later pressings on the palm tree and tan labels. To get the best sound you need originals of this album, and Warner Brothers green label originals are getting pretty darn hard to find as more and more collectors and audiophiles are coming to the realization that the unending stream of heavy vinyl reissues flooding the market leaves a lot to be desired. (Our desire for them is at zero as we no longer bother to order the stuff.)
The All Music Guide (and lots of other critics) think this is Little Feat at their best. With tracks such as Two Trains, Dixie Chicken, Fat Man in the Bathtub and Roll Um Easy, who’s gonna disagree!? (I guess I am. I prefer Waiting for Columbus and The Last Record Album but cannot deny that Dixie Chicken is probably the best of the albums that came before them.)
We’ve never bothered to order one. This is an album about rhythm. Half-Speed mastered records have bad bass and consequently lack rhythmic drive. Why would anyone want to half-speed master an album such as this? The obvious answer is not that it’s a good idea, but, if it’s the only idea you have, because you are in the half-speed mastering business, then half-speed master is precisely what you are going to do. Good idea or bad idea, it’s the only idea you have. As the old saying goes, if all you have is a hammer everything looks like a nail.
One of the Greats
Little Feat was a wildly eclectic band, bringing together strains of blues, R&B, country, and rock & roll. The bandmembers were exceptionally gifted technically and their polished professionalism sat well with the slick sounds coming out of southern California during the ’70s. However, Little Feat were hardly slick — they had a surreal sensibility, as evidenced by George’s idiosyncratic songwriting, which helped the band earn a cult following among critics and musicians. — AMG
Roll Um Easy
On Your Way Down
Kiss It Off
Walkin” All Night
Fat Man in the Bathtub
AMG 5 Star Rave Review
It all adds up to a nearly irresistible record, filled with great songwriting, sultry grooves, and virtuosic performances that never are flashy. Little Feat, along with many jam bands that followed, tried to top this album, but they never managed to make a record this understated, appealing and fine.