- You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this UK pressing of the band’s brilliant debut
- One of the best sounding rock records ever made, with rich, sweet, smooth mids; prodigious amounts of bass; superb transparency and clarity; and a freedom from hi-fi-ishness and a lack of distortion like very few rock records we have ever heard
- Rhett Davies knocked this one out of the park – it’s a Top 100 title, a member of the Tubey Magical Top Ten, and our favorite by the band for both sound and music
- 4 1/2 stars: “Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album… the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”
Rhett Davies is one of our favorite engineers. He’s the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.
The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings.
Rhett Davies, by virtue of the existence of this album alone, has proven that he belongs in the company of the greatest engineers of all time, right up there with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick, Glyn Johns and others we could mention.
What the best sides of Dire Straits have to offer is not hard to hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Vertigo pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.
This record is the very definition of Tubey Magic. No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a number of them I’m sure, but those of us with good turntables could care less.
This vintage stereo pressing has the kind of Midrange Magic that modern records can rarely reproduce. Folks, that sound is gone and it ain’t coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage All Tube Analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What We’re Listening For on Dire Straits
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Demo Disc Rock
What separates the best copies from the merely good ones? In a word, ENERGY. The best copies make this band sound like they are on fire, ready to go head to head with the world, fiercely proud of the new sound they’ve created. The not-so-good copies make Dire Straits sound the way Dire Straits usually does — laid back and well under control, perhaps even a bit bored with the whole affair. The best copies show you a band that wants to rock with the best of them, and can.
Water Of Love and Sultans of Swing on a Hot Stamper copy have the kind of Demo Disc sound that will have your audiophile friends drooling and turning green with envy. We can’t all afford $100,000 turntables, but when you have a record that sounds as good as our best pressings do, you don’t need one! A great copy makes it sound like you have 100k in your rig, whether you do or not.
The Tubey Magic Top Ten
You don’t need tube equipment to hear the prodigious amounts of Tubey Magic that exist on this recording. For those of you who’ve experienced top quality analog pressings of Meddle or Dark Side of the Moon, or practically any jazz album on Contemporary, whether played through tubes or transistors, that’s the luscious sound of Tubey Magic, and it is all over Dires Straits’ first album.
Ranked strictly in terms of Tubey Magic I would have to put this album on our list of Most Tubey Magical Rock Recordings of All Time, right up there with, in no particular order:
- Sgt. Pepper (1967),
- Meddle (1971),
- Dark Side of the Moon (1973),
- The Eagles (1972),
- Tommy (1969),
- The Doors (1967),
- Ziggy Stardust (1972),
- Tumbleweed Connection (1970),
- A Space in Time (1970)
Down to the Waterline
Water of Love
Setting Me Up
Six Blade Knife
Sultans of Swing
In the Gallery
Wild West End
AMG 4 1/2 Star Review
Dire Straits’ minimalist interpretation of pub rock had already crystallized by the time they released their eponymous debut. Driven by Mark Knopfler’s spare, tasteful guitar lines and his husky warbling, the album is a set of bluesy rockers.
And while the bar band mentality of pub-rock is at the core of Dire Straits — even the group’s breakthrough single, “Sultans of Swing,” offered a lament for a neglected pub rock band — their music is already beyond the simple boogies and shuffles of their forefathers, occasionally dipping into jazz and country.
Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album. While a few of the songs fall flat, the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.