- An outstanding copy of America’s second album, boasting Double Plus (A++) sound on both sides – exceptionally quiet vinyl too
- Some of the most tubey, warm acoustic guitar reproduction you could ever ask for – this is the sound of real analog!
- AMG raves; “The songs here are tighter and more forthright… The sound quality is clear and bright; the colorful arrangements, while still acoustic guitar-based, feature more electric guitar and keyboards. The performance quality is more assured, among the most urgently committed the group would ever put on vinyl. This top-flight album is a very rewarding listen.”
The guitars on this record are a true test of stereo reproduction quality. Most of the pressings of this record do not get the guitars to sound right. And when the guitars are perfection, the voices and all the other instruments are right as well. Let’s face it: they just don’t know how to make acoustic guitars sound like this anymore. You have to go back to 40+ year old records like this one to find that sound.
What outstanding sides such as these have to offer is not hard to hear:
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1972
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Amazing Tubey Magic
An album like this is all about Tubey Magical Acoustic Guitars and Vocal Harmonies. For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1972 All Analog sound can be, this killer copy is just the record for you.
This copy is spacious, sweet and positively dripping with ambiance. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.
This is the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There is, of course, a CD of this album, but those of us in possession of a working turntable could care less. It sure won’t sound like this record.
What We’re Listening For on Homecoming
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt — Mike Stone in this case — would have put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Warner Brothers Green Labels
Green label Warner Brothers originals are sonically all over the map. The biggest problem these pressings suffer from is a lack of extreme top end to provide harmonics for the guitars. The guitars on this copy sound just right, really sweet and open. On the average copy, they sound veiled and dull.
The best copies are transparent; they just seem to give you a clearer picture of all the members of the band. Instruments and voices are also better defined and localized in space.
To Each His Own
Don’t Cross the River
Only in Your Heart
Till the Sun Comes up Again
Head and Heart
Homecoming, America’s finest album, refines and focuses the folk-pop approach found on their debut release. The songs here are tighter and more forthright, with fewer extended solo instrumental sections than before. The sound quality is clear and bright; the colorful arrangements, while still acoustic guitar-based, feature more electric guitar and keyboards. The performance quality is more assured, among the most urgently committed the group would ever put on vinyl. This top-flight album is a very rewarding listen.
Rebuttal to the AMG Review
The writer for the All Music Guide is out of his mind if he thinks Homecoming is the best America album. Everyone knows it’s their second best album. Their debut is their masterpiece. Almost all the best music on Homecoming is on the first side. Side two and most of their subsequent output is pretty lackluster; a few hits here and there, surrounded by lots and lots of half-baked uninspired filler.
The first album still holds up, and so does side one of Homecoming. Both can sound amazing when you get the right pressing.