- A superb copy with a Shootout Winning Triple Plus (A+++) side four, mated with outstanding Double Plus (A++) sound or BETTER on the other three sides – exceptionally quiet vinyl too
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 5 stars: “Endless Summer, which was assembled in consultation with Mike Love, soared to number one and charted high over two subsequent summers (spending three years on the charts, the longest of any of the group’s albums).”
Like any compilation, some tracks sound better than others, but the best sounding tracks on here easily rank with any Beach Boys vinyl we’ve ever played. And the material on here is so good and so comprehensive (check the track listing tab above) that for most of you this and Pet Sounds should be all the Beach Boys you’ll ever need.
The sound here is big, open, rich and full, with the performers front and center (as well as left and right). The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than others by a long shot. Very few Beach Boys records offer the kind of realistic, lifelike sound you get from these pressings.
These original LPs also have the MIDRANGE MAGIC that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more REAL SOUNDING. It gives you the sense that all the boys (and the Wrecking Crew) are right in the room with you.
They’re no longer a representation — they’re living, breathing persons. We call that “the breath of life,” and this record has it in spades. Their voices are so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music.
As any record collector knows all too well, Capitol pressings are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. That’s been our experience, and we’ve played them by the hundreds.
What the best sides of Endless Summer have to offer is not hard to hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Endless Summer
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Catch a Wave
The Warmth of the Sun
Be True to Your School
Little Deuce Coupe
In My Room
Fun, Fun, Fun
I Get Around
The Girls on the Beach
Let Him Run Wild
Don”t Worry Baby
Girl Don”t Tell Me
Help Me, Rhonda
You”re So Good to Me
All Summer Long
AMG 5 Star Review
This was the album by which millions of sons of late baby boomers (and sons and daughters of the early ones) first really discovered the Beach Boys, beyond hearing the occasional oldie on the radio.
It was the summer of 1974, and the Beach Boys were still trying to get themselves back on track commercially after a seven-year commercial dry spell, when this double LP of their 1963-1966 material (all but one cut predating Pet Sounds) came along and did the job. Endless Summer, which was assembled in consultation with Mike Love, soared to number one and charted high over two subsequent summers (spending three years on the charts, the longest of any of the group’s albums), and attracted the enthusiastic attention of millions of listeners too young to have bought their singles back when.
The programming was a little thin, not even running an hour total, spread among two LPs, but most of the group’s best loved singles were represented — no notes, not a word of historical context, just a great collection of songs that proved irresistible to many shoppers. The packaging was nigh perfect, a simple, celebratory sun-lit graphic that spoke volumes about the music.