Assuming you are looking for top quality sound.
(If you are a record collector who doesn’t care about the sound and is just looking for music to play, you are on the wrong site.)
Do you know many audiophiles who own multiple copies of the same album? How many of them are still hunting around for more? I’ve been buying duplicate copies of my favorite albums for decades, but I’m obsessive about sound. Fortunately for me, with the advent of Better Records in 1987 I’ve had an outlet for the second- and third-rate pressings I chose not to keep (all my audiophile pressing for example).
A few audiophile friends have multiple copies, but most audiophiles I know usually stop after one, at most two or three.
At least they know not to make the worst mistake of them all: buying an audiophile pressing and figuring that that’s the one to keep, tossing out their vintage pressings, or never bothering to buy vintage pressings in the first place.
Hearing Is Believing
Those of you who take the time to read our Hot Stamper commentary, whether you buy any of our special pressings or not, no doubt know better. At least I hope you do.
The only way to understand this Hot Stamper thing is to hear it for yourself, and that means having multiple copies of your favorite albums, cleaning them all up and shooting them all out on a good stereo.
Nobody, but nobody, who takes the time to perform this little exercise can fail to hear exactly what we are on about.
Or you can join the other 99% of the audiophiles in the world, the ones who don’t know just how dramatic pressing variations for records and CDs can be. Probably a fairly large percentage of that group also doesn’t want to know about any such pressing variations and will happily supply you with all sorts of specious reasoning as to why such variations can’t really amount to much — this without ever doing a single shootout!.
Such is the world of audiophiles. Some audiophiles believe in anything — you know the kind — and some audiophiles believe in nothing, not even their own two ears.