Paul McCartney & Wings – Wings Over America

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  • A stunning copy with Shootout Winning Triple Plus (A+++) sound from start to finish and the first to ever hit the site!
  • SIX sides of live Wings music, phew! As I’m sure you can imagine, this Shootout was quite the undertaking
  • All six sides here sounded far better than the competition; clean, clear and full-bodied with a solid bottom end, tons of energy and lots of space around all of the instruments
  • “… the Beatles mystique was still very much attached to record and artist alike… and it seemed like McCartney represented the part of the group’s legacy that came closest to living up to fans’ expectations. Thus the album ended up selling in numbers, rivaling the likes of Frampton Comes Alive and other mega-hits of the period, and rode the charts for months.” – All Music

This vintage Capitol pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What amazing sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1976
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We’re Listening For on Wings Over America

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

TRACK LISTING

Side One

Venus And Mars / Rock Show / Jet
Let Me Roll It
Spirit Of Ancient Egypt
Medicine Jar

Side Two

Maybe I’m Amazed
Call Me Back Again
Lady Madonna
The Long And Winding Road
Live And Let Die

Side Three

Picasso’s Last Words
Richard Cory
Bluebird
I’ve Just Seen A Face
Blackbird
Yesterday

Side Four

You Gave Me The Answer
Magneto And Titanium Man
Go Now
My Love
Listen To What The Man Said

Side Five

Let ‘Em In
Time To Hide
Silly Love Songs
Beware My Love

Side Six

Letting Go
Band On The Run
Hi, Hi, Hi
Soily

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