Sergio Mendes & Brasil ’66 – Ye-Me-Le

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  • Insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this fun Brasil ’66 album
  • The overall sound here is incredibly rich and full-bodied with tons of energy and a very natural, musical sound
  • Norwegian Wood, Wichita Lineman and Easy to Be Hard are among the great songs that have the potential to sound amazing
  • We’re huge Sergio Mendes fans here and it’s a thrill to hear copies like this bring his music to life

The first three tracks on side 1 are the best reason to own this album, especially the first two (Wichita Lineman and Norwegian Wood), which are as good as anything the group ever did. As I’m a big fan, that’s high praise!

The average LP of this album is terrible. Shrill, aggressive sound is the norm, but compression and overly smooth (read; thick and dull) sound are also problems commonly found on Ye-Me-Le. There’s also a noticeable “strained” quality to the loud vocal passages on almost every copy; only the best are free of it.

This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What amazing sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We’re Listening For on Ye-Me-Le

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

Track Commentary

The Track Listing tab above will take you to a select song breakdown for each side, with plenty of What to Listen For (WTLF) advice.

TRACK LISTING

Side One

Wichita Lineman

The best copies have out of this world sound on this track, every bit as good as anything Sergio Mendes ever did. This was the song that made me search out the best sounding copies. Even when I had mediocre copies, I loved the music and KNEW there had to be better sounding versions out there.

Norwegian Wood (This Bird Has Flown)

Love the arrangement. When the voices get loud, the sound can be painful. On the better pressings there is practically no strain whatsoever.

Some Time Ago

I love this song! It’s so relaxed and easygoing.

Moanin’

This is actually a pretty good arrangement of Moanin’. I’ve grown to like it.

Look Who’s Mine

Side Two

Ye-Me-Le

The best copies have DEMO DISC QUALITY sound for this song.

Easy to Be Hard

One of the toughest tracks to get right on side two. Most copies are strained or badly compressed. When it’s right, it’s so good!

Where Are You Coming From?
Masquerade

Another lovely relaxed song.

What the World Needs Now

AMG  Review

… there are special moments, like the hypnotic “Masquerade” (no relation to the Leon Russell/George Benson hit), Sergio Mihanovich’s haunting “Some Time Ago,” and another winning treatment of a Beatles tune, “Norwegian Wood,” where Mendes cuts loose a killer solo on electric piano…

Difficult to Reproduce

The record is Very Difficult to Reproduce (VDR). Do not attempt to play it using any but the best front ends. Unless you are using a very good cartridge and arm the vocals are apt to tear your head off when they get loud (which they do; this is a dynamic recording).

In a way, this is the perfect record to demonstrate how much progress you have made in audio. I remember playing these albums many years ago and hearing lots of harmonic distortion and other unpleasant qualities in the sound. Those very same pressings sound DRAMATICALLY better today.