AC/DC – Back In Black – None Rocks Harder

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If you love HUGE drums, meaty guitars, and monster riffs as much as we do, you’re going to freak out over the MASTER TAPE SOUND ON BOTH SIDES. Moments after dropping the needle we heard a prominent low octave to the intro bells that we hadn’t noticed on other copies. We kept our fingers crossed and waited for the band to kick in, hoping for some serious bottom end power. And man oh man, it was there all right! I am pleased to report that the whomp factor on this copy was nothing short of MASSIVE.

I ask you, what album from 1980 sounds better than Back in Black?

Hell’s Bells has HUGE sound and shocking presence. The transparency and clarity are shocking — we heard texture on the guitars and room around the drums that simply weren’t to be found elsewhere, plus tons of echo and ambience. The vocals simply could not be any better — they’re breathy and full-bodied with loads of texture. The bottom end is Right On The Money — big, beefy, and rock-solid. You probably never thought you’d ever use an AC/DC LP as a Demo Disc, but this side one will have you reconsidering that notion — it’s ALIVE!

Imagine our delight when it turned out that side two was just as good! Everything you could ask for from this music is here, and it won’t take you very long to realize that for yourself when you play You Shook Me All Night Long. The energy, presence, immediacy and tonality are all SUPERB. I don’t think you could find a better sounding side two no matter what you did!

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None More Black

For hard rock, you can’t do much better than Back In Black. AMG gives it 5 stars and rightfully so. Musically, it’s got everything you’d want from this kind of music — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection. What surprised us is how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a great pressing like this.

TRACK LISTING

Side One

Hells Bells
Shoot To Thrill
What Do You Do For Money Honey
Given The Dog A Bone
Let Me Put My Love into You

Side Two

Back in Black
You Shook Me All Night Long
Have A Drink On Me
Shake A Leg
Rock And Roll Ain’t Noise Pollution

AMG 5 Star Rave Review

The first sound on Back in Black is the deep, ominous drone of church bells — or “Hell’s Bells,” as it were, opening the album and AC/DC’s next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level — black is a funeral cover, hell’s bells certainly signify death — but this isn’t filled with mournful songs about the departed. It’s a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson’s screech is a dead ringer for Scott’s growl.

Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He’s driven by the same obsessions — sex and drink and rock & roll, basically — but there isn’t nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn’t be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine.

Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy “Shoot to Thrill” to the pummeling “Back in Black,” which pales only next to “You Shook Me All Night Long,” the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands — there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.

 

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