More Crosby / More Stills / More Nash / More Young
More Breakthrough Pressing Discoveries
There are two areas in which we would like to amend some of the previous comments we’ve made about Deja Vu.
The first has to do with early pressings. Many years ago we wrote the following:
As we noted in previous commentary, the originals are uniformly awful.
Although that’s mostly still true — Deja Vu is a very difficult album to find with good sound no matter what stampers you have — we now know that there are very good sounding copies — Shootout Winning copies in fact — with early stampers.
Deja Vu is in fact a title in which one stamper always wins. Amazingly enough, there are more than 70 others that we’ve discovered with one killer set of stampers that beat all comers as well. (There are surely hundreds that do, we just haven’t found them all yet. Please be patient; we are working on it.)
That’s area number one. Area number two is part of this old piece of advice:
If you bought the Classic Records pressing and you can’t tell what’s wrong with it, this may not be the right hobby for you. I highly recommend you buy the Joe Gastwirt mastered CD and either play it on your system or take it to a hi-fi store in your area. It’s tonally correct and undistorted. The Classic version is neither. Now when a stupid $15 CD is correct in a way that a $40 LP is not, something is very very wrong.
The part where we said this may not be the right hobby for you if you like Classic’s godawful remastering of Deja Vu is still true, depending on what you’re trying to accomplish in the hobby.
If you’re not too picky about sound quality and just want to play new records, perhaps because old records are hard to find and often noisy, then fine, the Classic should get that job done for you.
We of course want nothing to do with it because we want good sounding vinyl, and the Classic is definitely not good sounding no matter how many nice things audiophile reviewers may have said about it.
No, the problem we see above is that we were recommending the currently available CD.
Yes, it’s mostly tonally correct and not distorted, but it has as bad a case of dead-as-a-doornail sound. It’s as awful sounding as any remastered CD I have ever heard. There is no top, there is no space, there is no life, there is no immediacy, there is no Tubey Magic — in short there is almost nothing left of what makes the best copies of Deja Vu so good. We’ve known this for about five years, apologies for not getting around to correcting the record.
And it’s not the fault of digital. There is an earlier CD, not cut by Joe Gastwirt, that sounds amazingly good. I own a few of them and pick them up whenever I see one. And Gastwirt’s version of the first Crosby, Stills and Nash album is every bit as bad.
If I see Joe Gastwirt’s name on a CD, I put it back where I found it as quickly as possible.
So there you have it, live and learn circa 2016.
Keep in mind that the only way you can never be wrong about your records is to simply avoid playing them. If you have better equipment than you did, say, five or ten years ago, try playing some of your MoFi’s, 180 gram LPs, Japanese pressings, 45 RPM remasters and the like. You might be in for quite a shock.
It’s all good — until the needle hits the groove. Then you might find yourself in need of actual Better Records, not the ones you just hoped were better.
Deja Vu is an album we think we know well, one that checks off a number of important boxes for us here at Better Records:
- It’s a personal favorite
- It’s an amazing Demo Disc
- It’s a Must Own album from 1970
- It’s our pick for the group’s best sounding album
- It’s an album that comes alive on big speakers at loud levels
- It’s part of the core collection of well recorded rock & pop albums
- It’s a masterpiece of rock and pop, as well as the group’s magnum opus
