Another in our ongoing series of Random Thoughts on issues concerning music and recordings.
We ran into a number of copies of this title that had what we like to call that “Old Record” sound, which is surprisingly common on even the most revered Golden Age labels, RCA included.
No top, no real bottom, congested climaxes and a general shrillness to the sound — we’ve played Living Stereos by the dozens that have these shortcomings and many more.
Some audiophiles may be impressed by the average Shaded Dog pressing, but I can assure you that we here at Better Records are decidedly not of that persuasion. Something in the range of ten to fifteen per cent of the major label Golden Age recordings we play will eventually make it to the site. The vast majority just don’t sound all that good to us. (Many have second- and third-rate performances and those get tossed without ever making it to a shootout.)
OUR HOT STAMPER COMMENTARY FOR THE BEST COPY WE PLAYED
Breathtaking 1961 Living Stereo sound on side two – huge, open and Tubey Magical as all get out. Living Stereo Hot Stampers mean the hall is huge, the strings rich and sweetly textured. Vaughan Williams’ arrangement of Fantasia On “Greensleeves” is especially lovely here. Fiedler and his Boston Pops play these 8 shorter pieces with great gusto and skill.
This Shaded Dog had precisely the right sound on side two, and very close to that sound on side one, making some of the best sound we have ever heard on this album. I’ve known about this recording for twenty years or more; it’s taken us a while to get around to it, there being so many wonderful (and frankly more famous) Fiedler records to play in the pipeline.
There are other recordings with Fiedler at the helm from 1961 but this is clearly the best of the batch, some of them being not very good at all, or good only intermittently. Practically every track on this title is excellent and some of them are superb. Take home this copy and you will quickly see what I mean.
White Hot and superb on practically every level. Rich, clear, undistorted, open, spacious, with depth and transparency like few recordings you may have heard, the music flows from the speakers effortlessly. You are there.
The brass and string sections of the music are almost never brash or shrill, something that no other side could manage.
Gorgeous! Rich strings, lots of Tubey Magic, plenty of weight, and space enough for a full orchestra to be transported right into your very own listening room.
Dancing Through The Years, a medley of dance hits performed with verve, has some of the best sound on the side.