A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.
The credit must go to the engineering of MIKE BOBAK for the DEMO DISC SOUND. We just finished our most comprehensive shootout ever for the album, culling the best sounding dozen from about twenty five entrants, and this copy just plain kicked all their butts, earning our highest grade on side one (A+++).
Having made a number of serious improvements to our system in the last few months, I can state categorically and without reservation that this copy of Never a Dull Moment achieved the best stereo sound I have ever heard in my life (outside of the live event of course). I’m still recovering from it.
Side one here is OFF THE CHARTS! No other side one could touch it. It’s got all the elements needed to make this music REALLY ROCK — stunning presence; super-punchy drums; deep, tight bass; and tons of life and energy.
So many copies tend to be dull, veiled, thick and congested, but on this one you can separate out the various parts with ease and hear right INTO the music. It’s also surprisingly airy, open, and spacious — not quite what you’d expect from a bluesy British rock album like this, right? But the engineers here managed to pull it off! One of them was Glyn Johns (mis-spelled in the credits Glynn Johns), who’s only responsible for the first track on side one, True Blue. Naturally that happens to be one of the best sounding tracks on the whole album.
Rod’s voice sounds just right here with lots of breath, texture, and ambience. The overall sound is clean, clear, smooth, and sweet with plenty of texture to all the instruments.
Side Two — Almost As Good
We were thrilled when we dropped the needle on side two and heard BIG BASS and TONS of ENERGY just like this amazing side one. Listen to the room around the drums on Angel — you can really hear the studio as well as the sound of the skins being beaten. On the same track, the meaty guitar in the left channel sounds mind-blowingly good. With a little more top end, the kind that makes the glockenspiel in the right channel clear and present and harmonically correct on the song Angel, this copy would have been hard to beat on side two as well. We call it Super Hot — A++.
One of His Two Best
Along with Every Picture Tells A Story, this is one of the two must-have Rod Stewart albums. Like that one it is amazingly well-recorded — we sure wish more Rolling Stones records sounded like this! As good as Sticky Fingers can be, this is still a clear step up in sound quality if you are lucky enough to have a top copy. (If you bought one from us and paid top dollar you do indeed have such a copy.)
Mama, You Been on My Mind
You Wear It Well
I’d Rather Go Blind
Twistin’ the Night Away
AMG 5 Star Review
Opening with the touching, autobiographical rocker “True Blue,” which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he’d “rather be back home,” the record is the last of Stewart’s series of epic fusions of hard rock and folk.
It’s possible to hear Stewart go for superstardom with the hard-rocking kick and fat electric guitars of the album, but the songs still cut to the core.
The covers — whether a soulful reading of Jimi Hendrix’s “Angel,” an empathetic version of Dylan’s “Mama, You Been on My Mind,” or a stunning interpretation of Etta James’ “I’d Rather Go Blind” — are equally effective, making Never a Dull Moment a masterful record. He never got quite this good ever again.