- You’ll find superb Double Plus (A++) sound or close to it on both sides of this British import stereo copy of Cream’s classic debut – quiet vinyl too
- Cream’s debut has much better sound than most of the albums that followed – it’s rich and Tubey Magical with tons of studio space and lovely vocal presence
- If all you know is the DCC pressing, or any other Heavy Vinyl pressing, you are in for quite a treat with this Hot Stamper import
- “Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…”
We recently finished a shootout for this band’s hard-rockin’ debut album and were once again delighted to hear how good this music can sound when you get a pressing that sounds as good as this one does.
Tubey Magic Is Key
This vintage British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
British Blues Rock
What the best sides of this Classic from 1966 have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl import pressings like this one offer the kind of Tubey Magic that was on the tapes in 1966
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with the guitars and drums having the correct sound for this kind of recording
- Transparency and resolution, critical to hearing into the three-dimensional space of the studio
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
I Feel Free (Brown/Bruce)
Sleepy Time Time (Bruce/Godfrey)
Sweet Wine (Baker/Godfrey)
Cat’s Squirrel (Traditional)
Four Until Late (Johnson)
Rollin’ and Tumblin’ (Waters)
I’m So Glad (James)
AMG 4 1/2 Star Rave Review
Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…
… this is nevertheless where Cream was feeling their way forward, creating their heavy psychedelic jazz-blues and, in the process, opening the door to all kinds of serious rock music that may have happened without Fresh Cream, but it just would not have happened in the same fashion as it did with this record as precedent.