A distinguished member of the Better Records Rock and Pop Hall of Fame.
On many pressings, the vocals can get hard and harsh on the uptempo tracks (“Uptown Girl” is a notable offender, and never sounds quite as good as the rest of the album), but this copy manages to fix that problem (mostly) without sacrificing transparency or top end.
Both of these sides easily defeated all comers in our shootout. They have the huge soundstage and startlingly clarity and immediacy that characterizes this album, but they also add an ingredient missing from most we heard — a full, rich, musical midrange! On many pressings, the vocals can get hard and harsh on the uptempo tracks (“Uptown Girl” is a notable offender, and never sounds QUITE as good as the rest of the album), but this copy manages to fix that problem with no sacrifice in transparency or top end. They just don’t get any better than this one, folks.
An Innocent Man
The Longest Time
Tell Her About It
Leave a Tender Moment Alone
Keeping the Faith
… he’s effortlessly spinning out infectious, memorable melodies in a variety of styles, from the Four Seasons send-up “Uptown Girl” and the soulful “Tell Her About It” to a pair of doo wop tributes, “The Longest Time” and “Careless Talk.” Joel has rarely sounded so carefree either in performance or writing, possibly due to “Christie Lee” Brinkley, a supermodel who became his new love prior to An Innocent Man.
He can’t stop writing about her throughout the album — only three songs, including the haunted title track, aren’t about her in some form or fashion. That giddiness is infectious, helping make An Innocent Man an innocent delight that unwittingly closes Joel’s classic period.