Led Zeppelin – III – Our Shootout Winner from 2008

Letters and Commentaries for Led Zeppelin III


A distinguished member of the Better Records Rock Hall of Fame.

It is INCREDIBLY difficult to find knockout copies of Zep III — of the dozen-plus copies we auditioned, this British Import Plum & Orange pressing was the only one with two superb sides, with an AGAIG A+++ side two and a side one that’s just half a step behind at A++ – A+++. Folks, when I tell you that it is no mean feat to find a decent copy of this album, I am not joking around.

Side one here is STUNNING. It’s really full-bodied with substantial weight to the bottom end. The bass is tight, punchy, and easier to follow than on any other copy we’ve heard. Just listen to John Paul Jones tearing it up during Immigrant Song — on most copies he’s just a deep rumble, but here you can appreciate the notes he is playing. It really kicks up the excitement factor of one of the hardest-rockin’ songs these guys ever did.

The overall sound is unbelievably lively — we’ve never heard a copy that rocked so hard! It’s just a bit on the bright side at times, but that little bit of extra top end seems to give this copy the ENERGY and PRESENCE that were missing from almost every other pressing we played. Drop the needle on Since I’ve Been Loving You and turn it up loud. Zep will be right there between your speakers, and your jaw will be on the floor!

Side two is EVEN MORE AMAZING — in fact, it’s OUT OF THIS WORLD! You are not going to believe how lively and dynamic it is. Drop the needle on Tangerine for a taste of rich, sweet, Master Tape Sound. The acoustic guitars are lush and delicate, the bass is deep and well-defined, and the vocals are completely natural and free from any bad mastering or phony EQ.

I don’t think you could find a better side two no matter what you do. The bottom end is meaty and punchy, the highs are silky sweet, and the midrange is Right On The Money. We rate side two A+++ — it’s As Good As It Gets.

Imports — No Surprise, A Mixed Bag

I have numerous original pressings from England and Germany and, of course, no two of them sound the same. This Brit copy absolutely destroyed any we had heard before it.

One Tough Ticket

Having played scores of copies of this record over the years, I can tell you that finding really good side ones is five times harder than finding side twos with excellent sound. The material on side one tends to be more aggressive, and I’m sure it has given its share of headaches to numerous mastering engineers over the years.