Genesis – The Lamb Lies Down On Broadway – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Charisma double LP was the uncontested winner of our shootout, earning a whopping 12 PLUSES across all four sides! In fact, this is BY FAR the best we’ve ever heard this album sound. After our last shootout — in which no side earned a top grade — we had almost given up hope of finding a true White Hot Stamper copy. Well, folks, our perseverance has finally paid off and this copy is the proof! When you find a killer pressing this complex, theatrical music really WORKS. 

No other copy in our shootout came close to this one. The bass, which can lack weight on the typical copies, is big and solid throughout, and the vocals are present and rich with great ambience. Bigger and more present, richer and fuller, with more space and transparency, this copy is absolutely As Good As It Gets (AGAIG) for this album!

This recording is always going to have a few issues. Certain tracks — particular the more rocking, guitar-heavy material — are ALWAYS going to get a little hard in the midrange, but on a good copy the issue is much less apparent and doesn’t get in the way of the music. And the more open, spacious keyboard and acoustic -driven songs which comprise the bulk of the album can sound really wonderful!


Side One

The Lamb Lies Down on Broadway
Fly on a Windshield 
Broadway Melody of 1974 
Cuckoo Cocoon 
In the Cage
The Grand Parade of Lifeless Packaging

Side Two

Back in N.Y.C. 
Hairless Heart 
Counting Out Time
The Carpet Crawlers
The Chamber of 32 Doors

Side Three

Lilywhite Lilith
The Waiting Room
The Supernatural Anaesthetist
The Lamia
Silent Sorrow in Empty Boats

Side Four

Colony of Slippermen: The Arrival/A Visit to the Doktor/Raven…
The Light Dies Down on Broadway
Riding the Scree
In the Rapids

AMG 5 Star Rave Review

In retrospect, this first LP plays a bit more like the first Gabriel solo album than the final Genesis album, but there’s also little question that the band helps form and shape this music (with Brian Eno adding extra coloring on occasion), while Genesis shines as a group on the impressionistic second half. In every way, it’s a considerable, lasting achievement and it’s little wonder that Peter Gabriel had to leave the band after this record: they had gone as far as they could go together, and could never top this extraordinary album.

The All-Music Guide to Rock

This, the last Genesis album with Peter Gabriel, is a sprawling two-disc thematic album concerning a character named Rael. Keeping with that theme, it includes pastiches of Broadway show music, plus the group’s typical mixture of folk, rock, and classical influences. If this is not the first Gabriel Genesis album to buy, it ultimately may prove the most satisfying. * * * * *

– William Ruhlmann, The All-Music Guide to Rock, 1995.