A distinguished member of the Better Records Rock and Pop Hall of Fame.
AMAZING A+++ SOUND and relatively quiet vinyl on BOTH sides of this early Stevie Wonder classic, an album that earned four-and-a-half big stars (out of five) in the All Music Guide. Anyone who has followed the site for a while (or tried the shootouts on their own) surely know how difficult it is to find Stevie Wonder records with excellent sound or quiet surfaces — let alone both. This monster pressing should give you everything you ever hoped for from this music and then some!
We had a ton of copies for this shootout and most of them weren’t fit to list on the site at any price. You can go down to your local store and pick up a copy with noisy surfaces and mediocre sound, but we don’t want to be in the business of selling records like that. I don’t know too many audiophiles who want to put up with dull, recessed, congested and compressed sonics no matter how good the music is, and that’s just what you get on most copies of this one.
This copy is an entirely different story, which we recognized immediately when we dropped the needle on each side. There’s real immediacy and plenty of extension up top. The soundfield is open, spacious and transparent with lots of analog tubey magic.
Love Having You Around
Superwoman (Where Were You When I Needed You)
I Love Every Little Thing About You
Sweet Little Girl
Happier Than the Morning Sun
Seems So Long
Keep on Running
AMG 4 1/2 Star Review
With a new contract from Motown in his hand, Stevie Wonder released Music of My Mind, his first truly unified record and, with the exception of a single part on two songs, the work of a one-man-band. Everything he had learned about musicianship, engineering, and production during his long apprenticeship in the Snakepit at Motown Studios came together here (from the liner notes: “The sounds themselves come from inside his mind. The man is his own instrument. The instrument is an orchestra.”) Music of My Mind was also the first to bear the fruits of his increased focus on Moog and Arp synthesizers, though the songs never sound synthetic, due in great part to Stevie’s reliance on a parade of real instruments — organic drumwork, harmonica, organs and pianos — as well as his mastery of traditional song structure and his immense musical personality.