Eric Clapton – There’s One In Every Crowd

More Eric Clapton

There’s One In Every Crowd

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Clapton’s third solo studio album returns to the site for the first time in almost a year, with outstanding Double Plus (A++) sound from start to finish. Balanced, musical and full throughout – this pressing is a big step up from many of the other copies we played. The sound and music here are very similar to 461 Ocean Boulevard, so if you’re a fan of that title, you’ll find much to like here. 

It is insanely tough to find copies of There’s One In Every Crowd that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this copy can do it!

We’ve tried this shootout multiple times in the past and have often come up empty-handed. You will have a very hard time finding a copy with two sides that sound this good.

What the best sides of this original RSO pressing from have 1975 to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above.

Best Practices

If you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what’s right and what’s wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.

The process is simple enough. First you go deep into the sound. There you find something special, something you can’t find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.

What We’re Listening For on There’s One In Every Crowd

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

TRACK LISTING

Side One

We’ve Been Told (Jesus Coming Soon)
Swing Low Sweet Chariot
Little Rachel
Don’t Blame Me
The Sky Is Crying

Side Two

Singin’ The Blues
Better Make It Through Today
Pretty Blue Eyes
High
Opposites