GENESIS AT LAST! Here’s an amazing Trick Of the Tail that absolutely blows the typical pressing out of the water! The sound is BIG, BOLD and OPEN, breaking free from the grainy and cloudly qualities that screw up the average copy.
It was a thrill to finally hear this album sound great after all these years. The cymbals are clean and silky, the vocals are present, the bass has real weight and the overall sound is balanced and natural! You’ve got to clean and play a TON of copies to have any hope of finding one that’d come anywhere near this one.
At the end of the second track on side one, Entangled, there is a wonderful sounding choral effect which Alan Parsons liked so much he decided to use it liberally on his own recordings. He’s famous for having admitted to analyzing classic rock records, then taking the best bits and pieces, cobbling them together and producing the “music” that he is known for. I prefer the original bits and pieces myself.
HERE is the deep, note-like, well-articulated bass that the MOFI and 95% of all the other pressings don’t have.
Dance on a Volcano
Mad Man Moon
Robbery, Assault and Battery
A Trick of the Tail
… this is about the sound of the band playing, not individual songs, and it succeeds on that level quite wildly — to the extent that it proved to longtime fans that Genesis could possibly thrive without its former leader in tow.