This Whitehall budget reissue stereo pressing has SUPERB Super Hot Stamper sound on both sides and a performance by Peter Rybar that can hold its own against any you may have heard.
This recording easily beats most of the vintage Shaded Dogs, Mercurys and London records that we’ve ever played here at Better Records, and it was released on vinyl by a relatively obscure budget label that most audiophiles have never even heard of and would probably not want to be caught dead with.
Which is a good reason to judge records by playing them, not reading about them, on the net or in magazines. The sound of this record is so wonderful that, had it been a rare Shaded Dog, Merc or London it would have sold for something approaching twice the money we are asking here. In my experience relatively few of those recordings are as good as this one.
The best Whitehall records can be superb but finding them on quiet vinyl is next to impossible. This copy plays Mint Minus Minus which is about as quiet as any we have heard.
A++ Super Hot Stamper sound, rich and Tubey Magical, smooth and lovely in all respects, with a tonally correct violin that’s neither bright nor edgy. We love the sound here.
A++, with an especially rich sounding orchestra. Love those lower strings.
The Hebrides Overture, the coupling work at the end of this side, is not quite as good. We called it A+ to A++. It gets a bit congested when loud.