Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
CSN chose the Albert brothers to engineer this album. Their most famous album is Layla. Ever heard a great sounding Layla? Me neither. Can you hear the sound of Layla in your head? That’s more or less what this album sounds like. There are better and worse Layla’s — we’ve done the shootout many times — just as there are better and worse CSNs.
The problem with the sound cannot be “fixed” in the mastering, and here’s how we know: on either side some songs have the breath of life and some don’t. That’s a recording problem.
It sounds like too many generations of tape were used on songs like Shadow Captain and Dark Star among others
But Just a Song Before I Go on side two can sound wonderful: rich, sweet, present and surrounded by lovely studio ambience.
So we listen for the qualities of a specific song that help us pinpoint what the best do well and the rest do poorly and grade them accordingly, on the curve.
Animals will never sound like The Wall. You do the best you can with what you’ve got.
What to Listen for
Most copies have a tendency to sound dry so look for one that’s rich and full-bodied. Most copies are opaque and flat so look for those with transparency and ambience. Most copies are lean down low and dull up top; try to find the ones with bass and real top end extension.
And of course you need to find a copy that gets the voices right. CSN’s albums live or die by the quality of their vocals, a subject we have discussed on the site at length.
See the Changes
Anything at All
Just a Song Before I Go
Run from Tears
In My Dreams
CSN was the trio’s last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time, and as a thoroughly enjoyable musical work.