In the commentary for America’s first album we noted that:
The guitars on this record are a true test of stereo fidelity. … most of the pressings of this record do not get the guitars to sound right. … on a copy with a bit too much top end they will have an unnatural hi-fi-ish sparkle.
This kind of sparkle can be heard on practically every record Mobile Fidelity made in the ’70s and ’80s. Tea for the Tillerman, Sundown, Year of the Cat, Finger Paintings, Byrd at the Gate, Quarter Moon in a 10 Cent Town — the list of sparkling MoFis would be very long indeed, and these are just the records with prominent acoustic guitars!
Next time you drop the needle on a Mobile Fidelity record — one of the ones pressed in Japan; the Anadisq series tends to have the opposite problem, no top end at all — listen carefully to the acoustic guitars and tell me if you don’t think they sound a tad sparkly.
We’ve all heard acoustic guitars up close, at parties and coffee shops and what-have-you. Do they really sound like that?