- With two seriously good Double Plus (A++) sides, this was one of the better copies we played in our shootout for these later pressings – exceptionally quiet vinyl too
- Much more folk than pop, for the most part the sound here is tubey, rich and sweet
- The originals from 1967 have never impressed us much – re-released when HLAW hit big, it features three great Linda solos
- “It doesn’t have “Different Drum,” but the first Stone Poneys album is their folkiest and best, dominated by close harmonies and strong original material by the group’s guitarists, Bob Kimmel and Ken Edwards.”
This copy was one of the better pressings we played in our shootout, but the sound varies a fair amount from track to track. The best tracks are rich, tubey and clear; the worst thin, bright and hard.
The first track on side one rarely stayed clean when loud, but here for the most part it does. It’s a good test for whether or not you have a copy with high quality, low distortion mastering. Listen for the least amount of smear and congestion and the most resolution.
The second track is richer and tubier – it proves that side one is mastered correctly.
On side two the first track is rough, the second track better, the third richer, sweeter and smoother still.
Tubey Magical Vintage Vinyl
This vintage LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Linda Ronstadt singing live in your listening room. The best copies have an uncanny way of doing just that.
If you exclusively play modern repressings of older recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide.
What the best sides of this Linda Ronstadt album have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl domestic pressings like this one offer the kind of Tubey Magic that was on the tapes in 1967
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the vocals, guitars and drums having the correct sound for this kind of recording
- Transparency and resolution, critical to hearing into the three-dimensional space of the studio
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Sweet Summer Blue and Gold
If I Were You
Just a Little Bit of Rain
Bicycle Song (Soon Now)
Wild About My Lovin’
Meredith (On My Mind)
Train and the River
All the Beautiful Things
AMG Rave Review!
It doesn’t have “Different Drum,” but the first Stone Poneys album is their folkiest and best, dominated by close harmonies and strong original material by the group’s guitarists, Bob Kimmel and Ken Edwards.
Original Vs. Reissue
The original pressings from 1967 are the best, right?
Not in our experience. We think it’s just another Record Myth.
To support our case we have a number of entries in our original equals better? series. Here we debunk the conventional wisdom regarding what are the best sounding pressings for specific artists and titles.