- An amazing Shootout Winning pressing with Triple Plus (A+++) sound or close to it from the first note to the last
- This shockingly well-recorded album is a big step up from many that followed and surely the best sounding Floyd until Meddle
- We made a huge breakthrough during our shootout, discovering a very special label and stampers that took the sound to a whole new level
- 5 stars: “The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation — the pleasures of expanding one’s mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett’s subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.”
Amazing sound for this classic early Floyd album featuring Syd Barrett! We did not expect to hear sound this good for the album. If you’ve played other versions of this one you’re going to be surprised — shocked even — at how big, rich and solid the sound is. Astronomy Domine and Interstellar Overdrive are especially impressive. We don’t think you’ll have much luck finding a copy with even one side this good, let alone two!
Without a doubt, this is by far the best sounding early Floyd record we’ve ever played. Once the ’70s arrive the band went on to release four of the best sounding albums of the decade: Meddle, Dark Side of the Moon, Wish You Were Here and The Wall. All four are in our Top 100. Dark Side I would put in any Top Ten worthy of the name.
The Beatles may have owned the ’60s but the ’70s clearly belong to Floyd.
Stick with the Brits
This vintage British pressing — the only way to fly — has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What outstanding sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1967
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Piper at the Gates of Dawn
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Pow R. Toc H.
Take Up Thy Stethoscope and Walk
The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation — the pleasures of expanding one’s mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett’s subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.