A distinguished member of the Better Records Rock and Pop Hall of Fame.
TWO INCREDIBLE SIDES on UNUSUALLY QUIET VINYL! This may very well be the HOTTEST copy of Bringing It All Back Home to EVER hit the site, rating A++ on side one and earning top A+++ honors on side two. We pulled together enough clean pressings recently for a big shootout and this copy was the overall winner. The sound is lively, transparent and rich on both sides with excellent immediacy throughout. You will have an incredibly hard time finding another copy of this album that sounds so good and plays this quietly!
It’s hard to find copies of this album that give you all the tubey richness and warmth that this music needs to sound its best. We’ve done this shootout a number of times over the years, but I can count the number of Hot Stamper copies that have hit the site on one hand. A lot of copies seem to be EQ’d to put the vocals way up front, an approach that makes the voice hard and edgy. Copies like that sound impressive at first blush (“Wow, he’s really IN THE ROOM!”) but get fatiguing after a few minutes. When you get a copy like this one that’s smooth, relaxed and natural, the music sounds so good that you may never want it to stop.
Side one is lively and present with a punchy bottom end and real depth to the soundfield. It’s also open and transparent with lots of natural ambience. Compared to the A+++ side two here, there’s a touch of grit and grain at times, but dramatically less than you get on most copies. We rated side one A++, which means you get excellent sound for Subterranean Homesick Blues, Maggie’s Farm, She Belongs To Me and a few more classic Dylan tracks.
Side two was UNSTOPPABLE — it was clearly As Good As It Gets based on years of listening and scores of copies auditioned over the years. Everything sounds right on point — the vocals and guitar sound wonderfully natural and correct with superb clarity and lots of richness and warmth. The sound is amazingly transparent, clear, and BIG.
While Dylan’s albums may not be big-production sonic spectacles along the lines of, say, Dark Side Of The Moon or Tea For The Tillerman, hearing these great songs sound so intimate and lifelike on a top pressing can be a sublime experience, to say the least. I bet you’ve never heard this important, essential music sound so wonderful!
Subterranean Homesick Blues
She Belongs to Me
Love Minus Zero/No Limit
On the Road Again
Bob Dylan’s 115th Dream
Mr. Tambourine Man
Gates of Eden
It’s Alright, Ma (I’m Only Bleeding)
It’s All Over Now, Baby Blue
AMG 5 Star Rave Review
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record. After all, the music on its second side — the nominal folk songs — derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn’t just introspection, either, since the surreal paranoia on “It’s Alright, Ma (I’m Only Bleeding)” and the whimsical poetry of “Mr. Tambourine Man” are individual, yet not personal. And that’s just the tip of the iceberg, really, as he writes uncommonly beautiful love songs (“She Belongs to Me,” “Love Minus Zero/No Limit”) that sit alongside uncommonly funny fantasias (“On the Road Again,” “Bob Dylan’s 115th Dream”). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.