- Incredible sound on both sides and the first “Triple Triple” (A+++) copy to hit the site in years!
- Open Your Eyes, What A Fool Believes and the title track all sound wonderful here
- The sound is dramatically bigger, richer, livelier and smoother than every other copy we played it against
- An Audiophile Quality Pop Music Production as close to perfect as one can ask for, thanks to Ted Templeman and Donn Landee
This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect.
This vintage pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the best sides of MInute By Minute have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional space of the studio
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
The material on this album is the strongest the group ever recorded, and let’s face it, all the best songs are McDonald’s. He really hit his songwriting stride in 1979; there are almost half a dozen classic Michael McDonald songs on this album alone. His 1982 solo album, a desert island disc for us if there ever was one, has about ten more. The guy was on fire in the late ’70s and early ’80s.
What We’re Listening For on Minute By Minute
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks for the guitars and drums, not the smear and thickness common to most LPs.
- Tight, note-like bass with clear fingering — which ties in with good transient information, as well as the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
- Then: presence and immediacy. The musicians aren’t “back there” somewhere, way behind the speakers. They’re front and center where any recording engineer worth his salt — Donn Landee in this case — would have put them.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Credit Donn Landee (and producer Ted Templeman as well) with the full-bodied, rich, smooth, oh-so-analog sound of the best copies of Minute by Minute. He’s recorded or assisted on many of our favorite albums here at Better Records.
Most of the better sounding Doobies albums are his; all of the good Van Halens of course; Lowell George’s wonderful Thanks I’ll Eat It Here; Little Feat’s Time Loves a Hero (not their best music but some of their best sound); Carly Simon’s Another Passenger (my favorite of all her albums); and his Masterpiece (in my humble opinion), Captain Beefheart’s mindblowing Clear Spot.
1979 Record Of The Year for “What A Fool Believes”
1979 Song Of The Year for “What A Fool Believes”
1979 Best Pop Vocal Performance By A Duo, Group Or Chorus for “Minute By Minute”
1979 Best Arrangement Accompanying Vocals for “What A Fool Believes”
Here to Love You
What a Fool Believes
Minute by Minute
Dependin’ on You
Don’t Stop to Watch the Wheels
Open Your Eyes
Steamer Lane Breakdown
You Never Change
How Do the Fools Survive?
It’s still all pretty compelling even if its appeal couldn’t be more different from the group’s earlier work (i.e., The Captain and Me, etc.). The public loved it, buying something like three million copies, and the recording establishment gave Minute by Minute four Grammy Awards, propelling the group to its biggest success ever.