- An outstanding copy of Richie’s second solo studio album, with solid Double Plus (A++) very ANALOG sound from start to finish – exceptionally quiet vinyl too
- Rich, smooth and natural, the sound here is guaranteed to please – recall that the 12″ of All Night Long was on the TAS List back in the day (and yes, I used to sell it!)
- 4 1/2 stars: “In 1999, Q magazine included Can’t Slow Down on its list of the best Motown records of all time and stated, “Production values are high, his songwriting craft is at its peak and at least one track – the global smash ‘All Night Long’ – is an anthem to good times that makes the heart sing and feet twitch.””
This vintage Motown pressing has the kind of Tubey Magical Midrange that modern records barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back.
If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What outstanding sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1983
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We Listen For on Can’t Slow Down
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Can’t Slow Down
All Night Long (All Night)
Stuck On You
Love Will Find A Way
The Only One
Running With The Night
AMG 4 1/2 Star Rave Review
On Can’t Slow Down, his second solo album, Lionel Richie ran with the sound and success of his eponymous debut, creating an album that was designed to be bigger and better… with Can’t Slow Down Richie reaped enormous dividends, earning not just his biggest hit, but his best album.
He has less compunction about appearing as a pop singer this time around, which gives the preponderance of smooth ballads — particularly “Penny Lover,” “Hello,” and the country-ish “Stuck on You” — conviction, and the dance songs roll smooth and easy, never pushing the beats too hard and relying more on Richie’s melodic hooks than the grooves, which is what helped make “All Night Long (All Night)” a massive hit.
All the hits showcase Lionel Richie at his best, as does Can’t Slow Down as a whole.