- A KILLER 6-Eye original stereo pressing of this wonderful recording, with Shootout Winning Triple Plus (A+++) sound on the first side and Double Plus (A++) sound on the second
- Both sides are incredibly Tubey Magical as befits a Brubeck recording from 1962 produced by Teo Macero
- Superb 1962 All Tube sound courtesy of the extraordinary engineering skills of Fred Plaut
- 4 Stars: “One of Dave Brubeck’s more adventurous albums… Highly recommended along with Brubeck’s other Time recordings.”
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These vintage Brubeck recordings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.
Getting The Balance Right
Clean and clear yet rich and sweet, this copy managed to find the perfect balance of these attributes so essential to the sound of vintage jazz recordings. You want to find that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of Jazz while managing to avoid the pitfalls so common to them: smear, lack of top end extension, opacity and blubber.
To be sure, the fault is not with the recording (I assume, not having heard the master tape) but with the typical mediocre pressing. Bad vinyl, bad mastering, who knows why so many copies sound so thick, dull and veiled?
This copy has no such problems. Full-bodied sound, open and spacious, bursting with life and energy — these are the hallmarks of our Truly Hot Stampers. If your stereo is cookin’ these days this record will be an unparalleled Sonic Treat. We guarantee that no heavy vinyl pressing, of this or any other album, has the kind of analog magic found on one of our Hot Stampers.
Another Amazing Sounding Brubeck Recording
What the best pressings of Countdown have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1962
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional space where you want to be
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we describe above, and for that you will need to take this copy of the record home and throw it on your table.
Fred Plaut, Engineer Extraordinaire
Frederick “Fred” Plaut was a recording engineer and amateur photographer. He was employed by Columbia Records during the 1940s, 1950s, and 1960s, eventually becoming the label’s chief engineer.
Plaut engineered sessions for what would result in many of Columbia’s famous albums, including the original cast recordings of South Pacific, My Fair Lady, and West Side Story, jazz LPs Kind of Blue and Sketches of Spain by Miles Davis, Time Out by Dave Brubeck, Mingus Ah Um and Mingus Dynasty by Charles Mingus.
Someday My Prince Will Come
Three’s A Crowd
Back To Earth
One of Dave Brubeck’s more adventurous albums, this LP finds his Quartet exploring originals in a variety of potentially difficult time signatures including 11/4 and a polyrhythmic version of the dates’ one standard “Someday My Prince Will Come.” Other highlights include “Countdown,” “Castilian Drums” and “Three’s a Crowd.” Highly recommended along with Brubeck’s other Time recordings.