Phil Collins – Face Value – Whomp Factor

More Phil Collins and Genesis

More Face Value

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album. 

Until we heard some of the better copies we were simply not able to appreciate just how important good bass definition and serious weight down low are to the sound of this record. When the bass is wooly or thin, as it is on so many copies — not clear, not deep, not full enough — it throws the rest of the mix off. When the bass is huge and powerful the music itself becomes huge and powerful.

The copies with the big bottom end are the only ones that really make you sit up and take notice of just how good these songs are.

Fortunately the recording quality of this album is still analog and can be excellent, thanks to hugely talented engineer and producer Hugh Padgham (Peter Gabriel, Genesis, The Police, Yes, Emerson, Lake & Palmer, etc.). On this copy the sound is nothing short of superb, especially on this side two.

Check out Phil’s take on Tomorrow Never Knows for some heavily reverbed vocal effects, complete with a slough of backwards psychedelic sounds. If anybody can play the weirdly syncopated rhythms of TNK, it’s Phil Collins.



Further Reading

We’ve identified a number of Demo Discs for Bass on the site, and there are surely many more to come.

Whomp is a quality of the bottom end we look for here at Better Records. If you have speakers that move a lot of air down low and like to play your music loud you know what whomp is all about.

We have a section for Audio Advice of all kinds.

You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.

And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.

Because in audio, much like the rest of life, hard work and challenges really do pay off.

TRACK LISTING

Side One

In The Air Tonight
This Must Be Love
Behind The Lines
The Roof Is Leaking
Droned
Hand In Hand

Side Two

I Missed Again
You Know What I Mean
Thunder and Lightning
I’m Not Moving
If Leaving Me Is Easy
Tomorrow Never Knows
Over The Rainbow

AMG Review

Collins proves himself a passionate singer (and distinctive drummer) with a gift for both deeply felt ballads and snarling rockers. His debut album transformed him from the frontman of Genesis to a solo star who happened to be in Genesis, too. Contains “In the Air Tonight” and “I Missed Again.