We think sitting down to listen to a Hot Stamper pressing is the best way to appreciate its superior sound, in the same way that hearing a vintage LP played back on a top quality system is the best way to appreciate the superiority of analog. Short of getting you to try one of our records — 100% guaranteed, no questions asked — we hope these comments will be of value.
Are Hot Stampers just original pressings?
They certainly can be, but quite often are not, which of course comes as a surprise to no one who works here. Reissues come out on top in our record shootouts fairly regularly. Yes, most of the time the original will beat the reissue, but most of the time is far from always, and since we have to play a big pile of copies anyway (and always with the person doing the sound grading kept in the dark about the pressing on the turntable), why not just evaluate both the originals and the reissues at the same time, and do so strictly on the merits?
But this discussion avoids a fundamental question: What IS an original? Is a record with a 1A stamper original and the next record with a 1B stamper not original, or less original? Is any stamper on the original label an original, and all the copies with the second label reissues? To be honest, laying down strict rules about what constitutes an original is a game we have never cared to play.
We are not the least bit interested in how original a pressing may be. On this site we are only interested in one thing, the answer to the question: Which pressing sounds the best? (Also, In what way? So I guess that’s really two things we are interested in.) All the rest of it we leave to our record collecting brethren.
Click on this link to read more about one of the thorniest questions in all of audio: Which have the best sound, Originals or Reissues?