Presenting another entry in our extensive Listening in Depth series.
The real stars of Windy (and the album itself) are Hal Blaine and Joe Osborne, the famous session drummer/ bass player team from The Wrecking Crew who create the driving force behind these songs. Osborne’s web site puts Windy front and center as the first track demonstrating what a top rhythm section can do for a pop song. This whole album can be enjoyed simply for the great drum and bass work, not to mention the sound that both instruments are given by the Master of Tubey Magical Pop Recording, Mr. BONES HOWE.
He produced and engineered the show here; Bones is a man who knew his way around a studio as well as practically anybody in the ’60s. He’s the one responsible for all the Tubey Magic of the recording. That’s his sound.
Never My Love is clearly the best sounding track on the album. Those of you with better front ends will be astonished at the quality of the sound. Windy also sounds excellent, but I hear some sub-generation harmonic distortion, probably caused by bouncing down some of the tracks to make room for others.
This is the era of the four track machine, and when four of the tracks are used up they are bounced down to one track, making available three new tracks. Some of the albums from this era — the Mamas and the Papas come to mind — have multiple bounces, three and four deep, which accounts for the distortion that you hear all through their recordings. The two-track finished master might have upwards of five tape generations or more on some instruments or vocal parts.
In-Depth Track Commentary
Wasn’t It a Bit Like Now (Parallel ’23)
On a Quiet Night
This is an interesting track, one I never fully appreciated before. It sounds just like the Mamas and the Papas! Perhaps Bones Howe, the man who recorded both groups, had something to do with the crossover harmonies and similiar arrangements. Either way, it’s one of the stronger songs on the album.
We Love Us
When Love Comes to Me
Windy never sounds quite as good as the other tracks; we suspect it may have an extra generation of tape. They might have added something after the final mix which resulted in another piece of tape between us and the music — too bad because it’s such a great song! Everything around it is more alive sounding, so what else could it be?
Still, on the best copies you will hear sound far superior to what you remember hearing on the radio, that’s for damn sure.
Never My Love
This is actually the best sounding track on the album. Those of you with better front ends will be astonished at the quality of the sound found on the best copies. It is the very definition of Tubey Magic. If you have a skeptical neighbor or friend who doesn’t know what this Old School Analog Foolishness is all about, sit him (or her) down and drop the needle on Never My Love.
If the stereo is up to it, and you have the right copy of the record (this one will do nicely), you will be demonstrating the kind of magic no digital media in the history of the world will ever manage to reproduce.
And you don’t need tubes to do it. The Tubey Magic is on the tape, it’s on the record (when you get a good one), so all you have to do it play it right.
Easier said than done but what in audio isn’t?
Wantin’ Ain’t Gettin’
Requiem for the Masses
…along these lines can be found below.
Transparency is key to the better pressings of this album as well as many of our other favorite demo discs.
Other recordings that we have found to be especially Tubey Magical can be found here.
We have a section for Audio Advice of all kinds.
You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.
And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.
Because in audio, much like the rest of life, hard work and challenges really do pay off.
Insight Out is an enjoyable folk-rock album with a few digressions into garage punk, novelty tunes, and psychedelia, all displaying much of what the group did best. The harmonies and choruses are among the most beautifully textured singing in a rock outfit this side of the Beach Boys, while the playing is engaging.
Insight Out was done somewhat in the shadow of Harpers Bizarre’s experimental “Feelin’ Groovy” single — the opening number, “Wasn’t It a Bit Like Now,” was an exercise in nostalgia similar to the later successful songs of Harpers Bizarre. “On a Quiet Night” and “We Love Us” are folk-rock ballads on which the group’s harmonies are the highlight, while “When Love Comes to Me” is a breezy little mood piece that resembles a slightly more ornate cousin to Simon & Garfunkel’s “Punky’s Dilemma.”
In that company, the number one single “Windy” (the presence of which helped drive up sales of this album) sounds almost heavy and hard-rocking. It and the accompanying single, “Never My Love” (which was later a hit for the 5th Dimension), are the strongest tracks here.