Sonic Grade: B or B-
Although I haven’t played my copy in quite a while — it might have been as far back as 2007 or 2008 if memory serves — I recall that it struck me as one of their better titles.
All things considered, it’s actually pretty good, assuming your copy sounds like mine (an assumption we really can’t make of course — no two records sound the same — but for the purposes of this review we’re going to assume it anyway). I would give it a “B” or “B-“. It can’t hold a candle to the real thing, but at least MoFi didn’t ruin it like they did with so many of the other Beatles albums.
Generic Audiophile Bashing
The most serious fault of the typical Half-Speed Mastered LP is not incorrect tonality or poor bass definition, although you will have a hard time finding one that doesn’t suffer from both.
It’s Dead As A Doornail sound, plain and simple, a subject we discuss in greater depth here.
And most Heavy Vinyl pressings coming down the pike these days are as guilty of this sin as their audiophile forerunners from the ’70s and ’80s. The average Heavy Vinyl LP I throw on my turntable sounds like it’s playing in another room. What audiophile in his right mind could possibly find that quality appealing? But there are scores of companies turning out this crap; somebody must be buying it.
If you’re in the market for a Hot Stamper pressing, you may be in luck. Click here to see what we currently have on hand.
Our Approach to Audio
Over the years we have put literally thousands of hours into our system and room in order to extract the maximum amount of information, musical and otherwise, from the records we play, or as close to the maximum as we can manage. Ours is as big and open as any system in an 18 by 20 by 8 room I’ve ever heard. (I can’t compete with bigger rooms and higher ceilings; it’s a glorious sound but custom room additions are just way out of our budget.)
It’s also as free from colorations of any kind as we can possibly make it. We want to hear the record in its naked form; not the way we like it to sound, or want it to sound, but the way it actually does sound. That way, when you get the record home and play it yourself, it should sound the way we described it.
If too much of the sound we hear is what our stereo is doing, not what the record is doing, how can we know what will it sound like on your system? We try to be as truthful and as critical as we can when describing the records we sell. Too much coloration in the system would make those tasks much more difficult, if not downright impossible.
Click here to read more about our playback equipment.