Sonic Grade: B
One of the better MoFi pressings from the 2000’s
We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. At the time we said:
I played this when it came out, and I have to hand it to the new MOFI, they did a great job with this one. It sounds better than I’ve ever heard it, and KILLS the old MoFi vinyl, which is the version we did the shootout with.
It was a short comparison, as in, no comparison. The earlier half speed (a different master tape, but still…) has that classic midrange suckout, so that Lennon and his piano on the first track sound like they are coming from another room. And people to this day still defend the sound of records on that label?! Oy vey.
The most serious fault of the typical Half-Speed Mastered LP is not incorrect tonality or poor bass definition, although you will have a hard time finding one that doesn’t suffer from both.
It’s Dead As A Doornail sound, plain and simple, a subject we discuss in greater depth here.
And most Heavy Vinyl pressings coming down the pike these days are as guilty of this sin as their audiophile forerunners from the ’70s and ’80s. The average Heavy Vinyl LP I throw on my turntable sounds like it’s playing in another room. What audiophile in his right mind could possibly find that quality appealing? But there are scores of companies turning out this crap; somebody must be buying it.
Badly Mastered LPs
Visit our Hall of Shame to see what are in our opinion some of the worst sounding records ever made.
Note that most of the entries are audiophile remasterings of one kind or another.
The reason for this is simple: we’ve gone through the all-too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.
When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more intolerable.