Sonic Grade: F
Way too bright and thin. What were they thinking?
It’s the sound that most audiophiles are fooled by to this day! Brighter and more detailed is rarely better. Most of the time it’s just brighter. Not many half-speed mastered audiophile records are dull. They’re bright because the audiophiles who bought them preferred that sound. I did. Hopefully we’ve all learned our lesson, expensive and painful as it may have been.
The average copy of this record is so bright, thin, aggressive and transistory it will peel the paint in your living room and leave your ears bleeding.
The best copies get rid of a problem that quickly becomes irritating as you play track after track: a certain “squaky, pinched” sound to the guitars. Bad copies of the album have that sound through and through, along with excessive amounts of grain and grunge. The guitars are very prominent in the mix on practically every song here, so when the guitars sound sour, the track as a whole does too.
These mastering and pressing problems make the overall sound simply UNMUSICAL. The way we found that out was simple. We cleaned and played lots of copies, and every once in a while we heard one that allowed the music to breathe, open up, sound balanced, make sense even.
Those copies showed us a Leftoverture we didn’t know existed and gave us a goal to shoot for with all the other copies we played. After hearing such a truly killer copy we often go back and downgrade the ratings for the copies we thought were the best. Such is the way with these shootouts.
Carry On Wayward Son Track Commentary
Reverse your phase or suffer the consequences.
The Wall Track Commentary
Now put it back to “normal” or the bass you heard on track one will disappear, along with most of the other good qualities the Hot Stamper pressings have going for them.
What’s on My Mind
Miracles Out of Nowhere
Questions of My Childhood
Magnum Opus: Father Padilla Meets the Perfect Gnat, etc.
AMG 4 1/2 Star Rave Review
… the most determinedly arty of all American art rock bands, they composed and recorded Leftoverture, an impenetrable conundrum of significance that’s capped off by nothing less than a five-part suite, appropriately titled “Magnum Opus,” and featuring such promising movement titles as “Father Padilla Meets the Perfect Gnat” and “Release the Beavers.