Nat King Cole Sings / George Shearing Plays

More Nat King Cole

More Nat King Cole Sings / George Shearing Plays

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  • You’ll find outstanding Double Plus (A++) grades or BETTER on both sides of this wonderful collaboration from 1962 
  • Two masters come together here to create a compilation of timeless arrangements still appreciated by both music lovers and audiophiles to this day
  • It’s tough to find top quality sound for Nat King Cole – here’s your chance to hear just how good he sounded on this All Tube Recording from the early ’60s
  • “Cole is in prime form on such songs as “September Song,” “Pick Yourself Up,” and “Serenata.” Shearing’s accompaniment is tasteful and lightly swinging, and the string arrangements help to accentuate the romantic moods.”

The better pressings of this unique collaboration between Nat King Cole and George Shearing put Cole’s voice right up front with lovely breath and natural texture. On the better copies such as this one, the Nat’s vocals are full-bodied, the piano has real weight, and the soundfield is open and transparent. If you want a great sounding male vocal LP in your collection, this one will do the trick nicely.

The reissue pressings rarely sounded right to us. In addition, the mono copies were uniformly awful — small, congested and gritty. Our Hot Stamper pressings — even the lowest-graded copies we offer –are sure to give you fuller vocals, more transparency, more weight to the piano and, of course, the tubey warmth of vintage analog. This early ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Nat “King” Cole singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now 56 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide.

What to Listen For (WTLF)

Copies with rich lower mids did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we’ve heard them all.

Top end extension is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently the studio or stage will be missing much of its natural ambience and space, and instruments will lack their full complement of harmonic information.

Tube smear is common to pressings from every era and this is no exception. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.

Best Practices

If you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what’s right and what’s wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.

The process is simple enough. First you go deep into the sound. There you find something special, something you can’t find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.

TRACK LISTING

Side One

September Song 
Pick Yourself Up 
I Got It Bad (And That Ain’t Good) 
Let There Be Love 
Azure-Te 
Lost April

Side Two

A Beautiful Friendship 
Fly Me to the Moon 
Serenata 
I’m Lost 
There’s a Lull in My Life 
Don’t Go

AMG Review

Although it would have been interesting to hear Nat Cole play some piano and perhaps accompany a vocal by George Shearing instead of exclusively the other way around, this session was a big success. Cole is in prime form on such songs as “September Song,” “Pick Yourself Up,” and “Serenata.” Shearing’s accompaniment is tasteful and lightly swinging, and the string arrangements help to accentuate the romantic moods.