- A stunning sounding copy with Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
- Some tracks do sound better than others, but that’s par for the course with early Who material
- “An explosive debut, and the hardest mod pop recorded by anyone.” — All Music
We recently finished a shootout for this record and this copy blew away most of the competition. Some tracks do sound better than others, but that’s par for the course with this kind of material. On the best songs, it had all the top-end, bass and presence that was missing from other copies. I’ve never heard these songs sound better than they do here.
What do the best pressings give you?
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks for the piano notes, not the smear and thickness so common to most LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Out In The Street
I Don’t Mind
The Good’s Gone
Much Too Much
The Kids Are Alright
Please, Please, Please
It’s Not True
I’m A Man
A Legal Matter
An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.