- Darin At The Copa arrives on the site with stunning Triple Plus (A+++) sound from top to bottom
- Recorded live at the Copacabana in New York City, this album captures Darin’s unique charisma, as well his phenominal music
- With clear, present vocals, huge amounts of space, and boatloads of Tubey magic – the kind they had plenty of in 1960 – this copy blew away the competition in our recent shootout
- “…an appearance that confirmed for the adult pop crowd that the former singer of ephemera like “Splish Splash” had made the complete transition from rock & roll to more “serious” music. Serious this record certainly isn’t, though.” — Allmusic
This Shootout Winning pressing of Bobby Darin’s live album from 1960 has ENERGY and TUBEY MAGIC like you will not believe. The reissues on Bainbridge that we used in our shootout just KILL the original pressings, which are truly awful based on the ones I have heard. I started out with a copy such as this way back in the early ’90s, and when I finally tracked down a clean original on Atco, not a hard record to find really, I was shocked at just how bad it sounded.
This is, of course, one of the best reasons to own a good CD player. It’s simply a fact that some recordings, vintage and otherwise, were never mastered properly for the analog medium.
Bobby Darin was a tremendously talented performer and this record catches him showing off his stuff to good advantage. I don’t know of a better Darin album on vinyl.
Darin’s finger snapping, jazzy and extremely hep delivery has its moments of humor, ease and at all times, a singular brand of charm that make it big at this particular scene.
We bash reissue labels like Classic and Sundazed mercilessly on this site for making the worst kind of substandard pressings, all the while absurdly promoting them as “superior.”
Bainbridge reissued this album sometime in the early ’80s I would guess, and they did this one right. Discovery Records reissued some jazz in the ’70s (Shorty Roger’s Jazz Waltz comes readily to mind) and they did a great job.
Reissues can sound great, but they seem to be limited to the ones from back in the day when they still knew how to make good sounding records. Modern reissues, for whatever reason, almost never do, and that’s the reason we criticize them (and their apologists / promoters so relentlessly.
We are not anti-reissue. We are anti-bad-sounding-reissue.
Darin on CD
Speaking of CDs, This Is Darin from 1960 on the ’90s CD pressing is, or can be — CDs don’t all sound the same either — superb, and the record is, again, just awful. We don’t make many CD recommendations here at Better Records but we do recommend that one. We don’t know if the newer version is any good so that’s a caveat emptor situation you will have to figure out for yourself.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
Medley: Swing Low Sweet Chariot/The Lonesome Road
Some of These Days
Mack the Knife
Love for Sale
You’d Be So Nice to Come Home To
Bill Bailey, Won’t You Please Come Home
I Have Dreamed
I Can’t Give You Anything But Love
Alright, O.K., You Win
Medley: By Myself/When Your Lover Has Gone
I Got a Woman
Darin at the Copa is the live document from Bobby Darin’s standing-room-only engagement at Jules Podell’s Copacabana club in New York City, an appearance that confirmed for the adult pop crowd that the former singer of ephemera like “Splish Splash” had made the complete transition from rock & roll to more “serious” music. Serious this record certainly isn’t, though.
A complete entertainer, Darin only occasionally concentrates on the business of singing, making Darin at the Copa the type of concert work that rarely succeeds as a purely aural recording…