- With an insanely good Triple Plus (A+++) side one and an excellent Double Plus (A++) side two, this early stereo pressing was the best copy we played in our most recent shootout
- Big, rich and natural, the new material on this album was recorded in 1964, with Sinatra’s voice in very fine form
- About as quiet as we can find them — Mint Minus to Mint Minus Minus
- “The highlight of the record was the hit title song, which featured a subdued but forceful and steady backbeat. The rhythm itself was indicative of Sinatra’s effort to accept the new popular music.”
This original Reprise LP has the MIDRANGE MAGIC that’s missing from the later reissues. It gives you the sense that Frank Sinatra is right in front of you.
He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is rich, sweet, and free of any artificiality. You immediately find yourself lost in the music, because there’s no “sound” to distract you.
Reprise pressings — like every label’s pressings — are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule.
We know a fair bit about the man’s recordings at this point. As of today we’ve done commentaries for 30 different Sinatra shootouts, and that’s not even counting the other titles that either bombed or were sold off years ago.
Here’s To The Losers
Come Blow Your Horn
Love Isn’t Just For The Young
I Can’t Believe I’m Losing You
Pass Me By
Softly, As I Leave You
Then Suddenly Love
Talk To Me Baby
The Look Of Love