Marty Robbins – By The Time I Get To Phoenix – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • A Shootout Winning copy with Triple Plus (A+++) sound on the first side and Double Plus (A++) sound on the second
  • Both sides here are rich, tubey, clear and present with wonderfully full strings and a solid bottom end
  • Fairly quiet vinyl throughout — Mint Minus to Mint Minus Minus
  • This one features a mixture of originals and covers – a showcase for Marty’s tremendous range and ability to cross musical genres

See all of our Marty Robbins albums in stock

This ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real person singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now 50 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide.

What to Listen For (WTLF)

Copies with rich lower mids did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we’ve heard them all.

Top end extension is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently the studio or stage will be missing much of its natural ambience and space, and instruments will lack their full complement of harmonic information.

Tube smear is common to pressings from and any era and this is no exception. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.

TRACK LISTING

Side One

By The Time I Get To Phoenix
Am I That Easy To Forget
Love Is Blue
Virginia
Until We Meet Again
Yesterday

Side Two

Love Is In The Air
As Time Goes By
That Old Feeling
To Be In Love With Her
You Made Me Love You