Eric Clapton’s 461 Ocean Boulevard – Stick with the UK Pressings

 


More 461 Ocean Boulevard



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  • One of the best copies to eve hit the site with an amazing Triple Plus (A+++) side one and and excellent Double Plus (A++) side two
  • Big and full-bodied with wonderfully breathy vocals, tons of energy and none of the smear that plagues so many copies
  • As good as the best domestic pressings can be, these early British LPs seem to capture more of the 461 magic
  • “…the pop concessions on the album don’t detract from the rootsy origins of the material, whether it’s Johnny Otis’ “Willie and the Hand Jive,” the traditional blues “Motherless Children,” Bob Marley’s “I Shot the Sheriff,” or Clapton’s emotional original “Let It Grow.” ” – All Music

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It is insanely tough to find copies that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this pressing should be just the ticket.

This album has some of Clapton’s best material, including Motherless Children and the famous cover of Bob Marley’s I Shot The Sheriff.

Tom Dowd recorded this album at Criteria in Miami, which is where Layla was recorded. I’d say the sound here is substantially better than what you get on that album, for the most part. Even when you find a great pressing of Layla, it’s still pretty much a diamond in the rough, but the sound on this album is consistently good — smooth, rich and natural.AMG 4 1/2 Star Rave Review

461 Ocean Boulevard is Eric Clapton’s second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn’t sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton.

However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album — the sleek production, the concise running times — don’t detract from the rootsy origins of the material, whether it’s Johnny Otis’ “Willie and the Hand Jive,” the traditional blues “Motherless Children,” Bob Marley’s “I Shot the Sheriff,” or Clapton’s emotional original “Let It Grow.”

With its relaxed, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Clapton’s ’70s albums. Though he tried hard to make an album exactly like it, he never quite managed to replicate its charms.

TRACK LISTING

Side One

Motherless Children
Give Me Strength
Willie and the Hand Jive
Get Ready
I Shot the Sheriff

Side Two

I Can’t Hold Out
Please Be With Me
Let It Grow
Steady Rollin’ Man
Mainline Florida