- This killer domestic pressing gives you a Triple Plus (A+++) side one and a side two that’s not far behind (A++)
- Fully extended from top to bottom with a wide-open soundstage, for this music this is the right sound.
- So Far Away, Money For Nothing and Walk Of Life all sound great on this Triple Plus side one!
- “One of their most focused and accomplished albums … Dire Straits had never been so concise or pop-oriented, and it wore well on them.” — Allmusic, 4 stars
Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this!
Surprisingly Analog Master Tape Sound
Both sides of this bad boy are SUPERB. Drop the needle on So Far Away — it’s airy, open, and spacious, yet incredibly rich and full-bodied. The bottom end really delivers the goods — it’s punchy and meaty with healthy amounts of deep, tight bass.
The vocals are Right On The Money — full-bodied, with breathy texture, surrounded by the lovely ambience of the studio.
The 3-D quality to the soundfield here is something that most copies simply cannot reproduce.
The overall sound is lively, dynamic, and relatively natural.
What to Listen For (WTLF)
Many copies suffer from harsh, digital-sounding highs. Pull out your old copy and listen to the beginning of side two and you’ll quickly hear what we’re on about. Compare that to the silkier, sweeter top end on a top quality Hot Stamper and it’s unlikely you’ll find yourself going back.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
So Far Away
Money for Nothing
During the recording of “Money for Nothing”, the signature sound of Knopfler’s guitar may have been enhanced by a “happy accident” of microphone placement. Knopfler was using his Gibson Les Paul going through a Laney amplifier. While setting up the guitar amplifier microphones in an effort to get the “ZZ Top sound” that Knopfler was after, guitar tech Ron Eve, who was in the control room, heard the “amazing” sound before Dorfsman was finished arranging the mics.
“One mic was pointing down at the floor,” Dorfsman remembered, “another was not quite on the speaker, another was somewhere else, and it wasn’t how I would want to set things up—it was probably just left from the night before, when I’d been preparing things for the next day and had not really finished the setup.” What they heard was exactly what ended up on the record; no additional processing or effects were used during the mix. – Wikipedia
Walk of Life
Your Latest Trick
Ride Across the River
The Man’s Too Strong
Brothers in Arms