Gary Wright – The Dream Weaver – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2017

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  • A Shootout Winning Triple Plus (A+++) side one mated to an excellent Double Plus (A++) side two (for the classic title track)
  • Big, rich and full-bodied with lovely texture to the synths and relatively little grit – crucially important to the best copies
  • Only the second Triple Plus copy to hit the site since 2015 – pressings with this kind of sound are tougher to come by than you might imagine
  • 4 Stars: “Backed with only drums and a wide assortment of keyboards, Gary Wright crafted instantly recognizable tunes such as the title cut and “Love Is Alive,” which caught on and remain staples of classic rock stations around the U.S. … Dream Weaver hasn’t lost any of its magic over time.”

See more of our Gary Wright albums in stock

Huge, lively and full-bodied with tons of presence, this is exactly the right sound for this music.

Most pressings of this album tend to err in one of two ways: either they get hard and gritty in the upper mids, or they’re smeary and dull. Our best copies get the balance right — plenty of texture on the keyboards and drums, with vocals that still have presence and breathiness — and not too much grit.

Keyboards and More Keyboards

An all-keyboard pop record like this was a rarity at the time. The only other instruments besides drums (and one track with guitar) are keyboards. Every song is layered with multi-tracked clavinets, organs, and Moogs — it was a remarkable feat in 1975 to create an album with nothing but keys. Listen to the title track, the most dynamic song on the record, and you will hear just how well all of those stacked keyboards and synths work together. (Steve Winwood’s Back in the High Life borrowed a page or two from Gary’s solo debut here.)

What do the best Hot Stamper pressings give you?

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

 

TRACK LISTING

Side One

Love Is Alive
Let It Out
Can’t Find the Judge
Made to Love You
Power of Love

Side Two

Dream Weaver
Blind Feeling
Much Higher
Feel for Me